Riot and Frolic

a mostly ballroom dance, but also a bunch of other stuff, blog

  • Along with my years doing pro-am, I had an excellent couple seasons doing am-am (two amateurs dancing together).  While I enjoyed partnering with two lovely gentlemen, and we traveled to USABDA [now USADance] regionals and stayed in Minnesota for the infamous Nationals at Roy Wilkins Auditorium (NOT on a coast?!  the audacity!), and we were competitive (aka, wanting and fairly able to win), it was not the same fierceness I’ve felt in other capacities as a dancer.  Partly, it was because I was dancing am-am FOR FUN, and while competing at Nationals was cool, I knew I wasn’t competing in the most prestigious levels (AKA, Open) or capable of earning a title at that point.  Also, I knew I wasn’t going to be dancing am-am for long: I enjoyed pro-am and was curious about turning pro.

    For many dancers in the amateur circuit though, it’s a very serious endeavor as a hobby (consuming most of their free time and money), or one avenue to becoming a professional.

    For the amateur side of things, I don’t so much have a list of pros and cons as a list of “ideas that exist”.  For each point, some might consider it as plus, while others want to troll it on social media.  

    While my much shorter opinion on the am-am side of things might seem over-simplified, I do have follow up posts in the works about many "ideas that exist" which partnerships present (which can apply to both ams and pros).

    So let’s get to it.

    While dancing am-am:

    • You must know (or learn) your own part.  
      • It is literally no one’s job in an am-am situation to make you look good or make up for your shortcomings, so you must do many things that some pro-am-ers can get away with, like hold up your own frame, stand up on your own, know your foot placements/timing/routines/etc.
    • You are doing your best to look good as a partnership.
      • “Looking good” is a) relative to other people in your proficiency level and age category b) not always indicative of “being good” (using quality techniques to produce excellent movements)
      • Since private lessons are shared, you are not getting personalized-to-you lessons.  You’re getting personalized-to-your-partnership lessons.  If you aren’t understanding a concept or technique, it’s actually best to take a one-on-one lesson with your fav instructor to get that idea crystal clear and make progress in your partnership faster/easier.
    • You’re sharing expenses!  
      • Lessons, travel, competition registration fees, sometimes even costumes (but not often, because #rhinestones)!
    • You are in a Partnership
      • Like marriage, but worse, because goals, and short term ones at that, so there is STRESS.  Also, it is literally a physical partnership, where your partner might mess up your shoulder, which might make those goals harder to reach, not to mention leave you hurting like hell.
      • You must hold your tongue.  My best marriage advice should be used as dance partnership advice as well, “Shut. Up.” There are ONE MILLION experiences when it would feel so great to say “I told you so” or the like.  But stop it.  Not giving your two cents is GREAT for building your willpower and learning to be a good person and probably making your partnership a happier one.
    • You have someone to practice with! For those of you who have practiced solo, while it IS fortifying, it is not the most satisfying part of partner dancing.  Having a built in practice buddy is more entertaining and makes marathon practice seshs more possible (fighting notwithstanding).

    If you’re already a pro-am dancer:

    • Dancing am/am is a great way to refresh the FOUNDATIONS OF DAMN DANCING and practice your technique, especially if you get the opportunity to dance at a lower level than your pro-am proficiency level (and you should try to dance at the lowest level possible since you “point out” of levels in the USADance circuit, one of the main competitive circuits). 
    • Your time spent in pro-am might get reinforced.  After having a grand time doing pro-am, with a rather demanding instructor, it was a great reflection of my education to do am/am and kill it.  Often, on the pro-am floor, you’re competing against people who take hundreds of lessons a year.  HUNDREDS.  And compete more than some pros.  And while the am-am world is very competitive (especially the International styles), many ams have never hit the pro-am world and spent hundreds of hours (and the exponential number of dollars) on their very own dancing.  And often the focus that pro-am-ers receive means their foundational movements are cleaner than am-am dancers.  
    • Do what the pros do.  Most pros spend 80% of their time dancing with people below their level.  You learn how to work smarter and better by doing the same thing over and over.

    Dancing as an amateur can be such a great experience: building new friendships, learning new skills, finding new disciplines, etc.  If you're dancing with your significant other, it can be a quality way to spend time together and traveling.  If you're gunning for a National title in the Championship levels in any style, you are doing Great Things.  If you are learning the beginning framework of partner dancing starting from a blessed box, you are doing Great Things.  Hell, if you are ballroom dancing in any capacity, I say, "GREAT THINGS."

    GO FORTH AND CONQUER, PEEPS.

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  • “Pro-am” dancing refers to a teacher (a PROfessional ballroom dance instructor) and a student (an AMateur ballroom dancer) who dance together, usually in the oddly unknown ballroom dance competition circuit and who patronize the boutique industry of ballroom dancing.  The student pays for lessons with the professional to learn the ins and outs of partner dance, similar to taking instrument lessons as a kid (but usually your parents aren’t footing the bill for your ballroom habit).

    There are several, well-attended ballroom dance competitions held around the country every weekend (and extending into the week for many comps) with award money for medalists, incredibly theatrical themes, and exciting professional events.  The majority of the time span (often starting at 7am and ending around midnight) is spent on heat after heat after heat showcasing pro-am dancing, with dancers from age 4-99, at all levels of proficiency, and in many many different dances.  Like a track meet, but with really fancy, couture gowns and suits, and hair and makeup that doesn’t move even when you sleep on it.

    As I continue and in general, “pro-am” refers to the student, not the teacher.

    In any case, if you didn’t know, I had some DELIGHTFUL years of pro-am dancing with an amazing teacher who taught me… well, EVERYTHING. My teacher was PERFECT, in hindsight and even upon inspection of old dance videos (and we know how hard those are to watch).

    We danced pro-am in the Wild West days of NDCA/USADance’s [IT WAS CALLED USABDA AND I WILL ALWAYS CALL IT THAT] loosely restricted syllabus events, when even Bronzeies could kick sky high, do double turns until they puked, and syncopate with abandon.  

    The comps were in smaller ballrooms, with less technology (photographers had racks of PRINTED PHOTOS to buy, there were no big screens announcing heat numbers or showing highlights in the ballroom, and you couldn’t get your heat sheets online days before the event), but with no less skill or circumstance.

    I had a great education during my pro-am years, and it gave me an excellent foundation to start my pro career and philosophy on ballrooming.

    Pro-am dancing has lots of things going for it.  Here, I will list them for you…

    • You clearly have disposable income, and you choose to spend it on dancing, which is a TREAT!
    • You are dancing with someone who is [much] more proficient than you, which is a TREAT.
    • That professional is there, all the time, telling you what to correct and HOW to correct it…
    • … and since they want you to continue to be a student, they’re probably not a total asshole about it
    • That person is there to take care of you in a myriad of ways that you don’t even realize:
      • fix your timing/foot mistakes to make your dance feel good
      • be your dance psychologist
      • be your regular psychologist
      • protect you from floor craft disasters on the dance floor (comp or social)
      • possibly even hold you up or move you around the floor depending on how obliging they are 
    • The pro’s reputation is based partly on how you dance, so they are going to do their best to make you look good, have a good experience, and BONUS POINTS if you actually learn something.
    • Your progress is determined by YOU, with your pro helping you to make the best choices to conquer your goals.

    This sounds like heaven, I know, but there’s some drawbacks…

    • Mainly, you might get snooty.
      • In other words, just because you’ve placed well in pro-am comps doesn’t mean you’re a good dancer.  Confusing?  YES.  But answer these:
      • Being spoiled by an instructor makes it difficult to “lower your standard” [HAHAHAHAHAHAHAHAHAHAHAHA] to dance with someone less experienced, whether it’s for a social dance or two, or to try to find an amateur partner.
      • Quality counts, of course, but quality = knowing your shit in your own head and body, not just dancing with someone who makes it easier for you to dance.
          • But how much does your teach help you?  
          • Do you know what timing you’re doing?  
          • Hell, do you know how to count music and the basic rhythm for the dances you do?
          • Do you know your own foot placements/rotations, or do you “just follow” your pro (whether you’re a lead or follow)? 
          • Would you be able to follow another person (who might be doing things correctly, or might not, or who isn’t fixing your consistent mistakes through their own skills)? 
          • Is your technique in your own muscles, or do you siphon it off of your partner and lose it when you’re dancing alone or with someone who is not your teacher?  
      • You might get complacent.  There’s a professional telling you you did it correctly, duh.   Why would you look for a different opinion or review the basics or take a class less challenging than your current proficiency?
        • Anyone use Duolingo for language learning?  It’s an app where you pass different subject matter of a language and then that subject turns into a GOLD circle and one feels very accomplished for completing each subject. Well, I “passed” out of the first level of my language course, but DAMMIT, the little gold subjects “crack” and I have to go back and repeat the things I SWEAR I ALREADY KNOW.  But then those “mastered” subjects make more sense and oh my god I’m practicing the basic of the language and maybe even reinforcing the ideas that weren’t really that clear the first time I “passed” it.
        • [clears throat] DO YOU GET HOW THAT STORY RELATES TO DANCING?
    •   it is the most expensive way to dance
      • You are the only one paying for your lessons, costumes, travel, and competition fees, not to mention, any fees and expenses your instructor requires, because professionals get paid to dance with their students, no matter the location or circumstance.  
    • There are other ways to dance that you might ignore.  Like, social dancing is STILL dancing and a great way to learn a different perspective on partnering and is the gateway to am-am dancing, which is a great way to dance more (but more on that later).
    • What if you get a crappy teacher and don’t know it?  What if you’re getting a bad education?  
      • Are you still having fun?  Are you unhappy?  It’s only a problem if you’re unhappy or want a change. 

    It is TOTALLY OKAY if you have no desire to do anything but dance pro-am until you’re one of those TOTALLY ASS-KICKING 90 YEAR OLDS on the comp floor, but I’m here to offer informed consent on your choices.

    Ill give you the alternative procedures in my next post when we cover am-am dancing.

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  •  
     
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  • I’ve had the odd pleasure and horror of transferring my old dance videos (which were on VHS – YES, VHS) to digital recently and after looking over 20+ years of dancing, I am guaranteed to have some reflections to share with you.

    Get ready for SOME WORDS, my people.  AND PHILSOPHY. OF LIFE.  AND DANCE.

    To adequately prepare you for the coming posts, I shall forewarn you of the topics (to possibly gird your loins against the attacks on your particular grouping):

    • The Pros and Cons of Pro/Am Dancing
    • The Advantages and Disadvantages of Am/Am Dancing
    • The Assets and Liabilities of Pro/Pro Dancing
    • The Responsibilities and Philosophies of Studio Management

    In order to balance out my way-more-than-two-cents on all things listed above, I promise to share some embarrassing videos of myself with you.  #winwin

    The pro-amers will be first up on Monday.

    Until then, I’m working on setting up a little online Riot and Frolic store, in a weird turn of events that I will attribute to the pandemic, quarantine, and not working for months and months.  I’ve been knitting hats in preparation for next Christmas when several of my Instagram friends asked if they were for sale.  Maybe I’m getting too confident, but I think I can sell a couple and still make them for my family. [Insert maniacal laughter if you realize how many family members I have and to whom I was planning on giving hats.] 

    In any case, CUTE HATS COMING SOON.

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  • I went for a run today.  

    If you're in Minnesota, you might say "WHY?" because while it was a balmy 36º degrees out, it had also just snowed three inches.  For those of you who are not familiar with snow and 36º, that means it was slushy.  Like, inches of slushy puddles because despite the unseasonal warmth, it is still winter in Minnesota and therefore the ground is frozen.  

    But I've been running nearly every day since October, so the inclement weather seemed fairly unimportant since I've run in rain and snow and sleet and 80º and 0º.

    About one block in, after I stepped in a small puddle, and icy water started to ooze into my sock, I said to myself, 

    "I've made a huge mistake."

    Immediately, I wanted to turn back.  

    Then I stepped in a deeper puddle.

    My shoes were now soaked.  Full of 36º slush.

    And I was two blocks into my two mile route. 

    My choices were clear:

    • turn around and go home, with cold, wet feet.
    • barrel on, with cold, wet feet.

    Clearly my feet were going to be cold and wet for a few minutes no matter what I did.

    FULL STEAM AHEAD.

    Sort of.

    Because there were still puddles and cold and discomfort. [Please read that in your whiniest voice ever.]

    My next choices were presenting themselves quickly:

    • I could pick my way carefully down the sidewalk, choosing the next place to put my foot to get "less wet".
    • splish-splash in a hedonistic sort-of polar-bear-plunge-way down the beautiful, old, shitty sidewalks of Saint Paul.

    SPLISH SPLASH, MY PEOPLE.

    Two miles later, I finished my plan for the day, none the worse for wear. And I was more prepared for the plan for tomorrow.  [Which happened to be the iciest run I had ever experienced, but with some surprising puddles to keep my feet cool along the way.]

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    P.S. This is my first experiment in writing into the void (life without Facebook).  I am INFINITELY curious if anyone will see this.  If you do read it, would you mind leaving a comment?  (Likewise, I recently changed my comment settings and am curious if those work as well.)

    If you like anything about my writing, I have MANY posts on deck, including a whole series on pro vs. pro-am vs. am-am.  BUCKLE UP.

  • No, not that coveted six couple dance-off.

    I'm talking school, people.  It's the end of the semester and it's time for your ballroom final. 

    Get out your blue books and put on your thinking caps and take this SUPER SERIOUS and not-at-all-Christmas-themed QUIZ.

    [Click the words "Ballroom Final" below if you're on a mobile device to take the quiz.]

     

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  • Long before I made a flowchart, I dreamed of making a silly quiz.  Well, in the years since my blog was born (can this count as my eighth kid?), technology has made it easier.  

    Therefore, for your Sunday internet scrolling pleasure, please enjoy this quiz and check out the companion article featuring full descriptions of “all the kinds” at Sheer Dance coming October 1, 2020.

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    Related and coming soon, “Riot and Frolic Review’s Shutterstock’s ‘Ballroom Dancing’ Photos”.

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  • Lest one think I am a jolly penguin and all of the circumstances of the last six months have just rolled off my good-humor-insulated back, I am here to complain about all the crappy stuff that's transpired.

    Since March 13, when we had our somewhat eerily-timed and, retrospectively, final showcase in our former studio space, it has been a non-stop rollercoaster of bizarre, sad, and often hilariously absurd circumstances.

    Despite looming rumors of stay-at-home orders due to the developing coronavirus, Dancers Studio held its "Nightmare After Christmas" showcase (in honor of our third event in a row landing on a Friday the 13th AND LITTLE DID WE KNOW HOW WELL NAMED THE EVENT WOULD BECOME).  Less one participant's cancellation, we had a lovely springtime Halloween-esque party that was strangely festive and very fun in spite of impending doom.

    Days later, we were ordered to shut down the studio as we are considered a non-essential business.  Like most people, we were hoping the studio closure would last a month or 6 weeks, but COVID wasn't going to be our only hurdle this spring.

    Closing the studio was closely followed by schools closing, therefore moving our three school-age kids to "distance learning" (a crappy, unprepared version of homeschool with more screen time and too many slight procedural differences from class to class than I'd ever recommend) while entertaining the three toddlers and yet not leaving the house.  

    OH, DID I MENTION I WAS VERY PREGNANT AT THIS TIME, TOO?  So, a month after quarantine started, I got to go on a field trip… to the hospital (thankfully with my husband) and have a baby.  I felt terrible for first time moms or anyone with more complicated birth plans than "get the baby out", but our newest addition's arrival was barely impacted, less an uncomfortable stick up my nose at the outset and an intriguing "birthmark" on the leg of baby #7 (henceforth referred to as "Ernie").  

    In a surreal turn, a few weeks post-partum, we were vetted for a reality show by a delightful man who's resume makes Eldon Henson's look shabby.  We had a reel made and everything!  Hollywood doesn't interest us much, and generally the feeling was mutual, but it was a honor to just be nominated.  

    Just as the stay-at-home orders were lessening and we were preparing our "post"-COVID plan for teaching partner dancing (an interesting exercise while considering social distancing), riots broke out in sleepy Saint Paul, MN, culminating in many businesses in our neighborhood being set ablaze, including one next to our studio in the same strip mall. While we hunkered down to the sound of blackhawk helicopters, humvees, and constant police sirens, we wondered what could happen next.

    Well.

    Property fires means insurance and insurance means TIME CEASES TO MOVE FORWARD. We waited for the insurance adjusters to do their thing.  And waited.  And waited.  

    And then the entire strip mall was condemned.  You know, including the space where our business existed. 

    We started making phone calls and visiting places that might rent space to our non-essential business.  We were making pretty good headway on a cool spot or two when YET ANOTHER DISASTER STRUCK.

    After a delightful Sunday at the beach and our first trip to a restaurant [patio] in months, Ernie had fallen asleep his carseat.  While we queued up the only Star Wars trilogy worth watching, cute little Ernie took a nap.  When he woke up after about an hour, I took him out of his carseat to change his diaper and presumably feed him.  As I unsnapped his onesie to change his diaper, I saw his abdomen was black and blue from his belly button to his spine on his right side.  Calmly horrified, but practical, I changed his diaper and made a mental list of what I would need to have with me at the hospital for at least a night as Gordon Facetimed a friend of ours with many medical degrees to confirm a trip to the hospital was in order.   

    Moments later, I was headed to the nearest children's hospital as Gordon called ahead to help triage with the ER.

    The next hours were a blur of nurses, doctors, IVs, imaging, and tests.  I hadn't gotten to feed him and he was now getting poked and prodded and was obviously crying and all the nurses would ask if he took pacifiers AND HOW COME NO ONE TOLD ME PACIFIERS WERE A MEDICAL NECESSITY and I felt horrible for my poor, hungry, mysteriously injured baby.  

    I couldn't tell you what day it was for several weeks, but those first couple days were especially blurry and month-long-like.  At some point the day after arriving, after wee Ernest was sedated and intubated (I did not watch that and cried for quite awhile afterwards), Gordon came in and I went home.  

    I tried to sleep that night, didn't, woke up and spoiled all the children, and then drove back to the hospital.  As I drove in, Gordon called to tell me Ernest had compression fractures in his spine and they'd heal in 6-8 weeks.  As my wheels slowly turned, I figured that was some weird effect of being curled up in utero, but simultaneous to my slow gears grinding, Gordon said, "They called CPS and they think it's trauma."

    In hindsight, I heard "retroperitoneal hematoma" and I also heard "trauma" a couple times in the first 24 hours, but those words didn't mean anything to me, because the kid was literally attached to me 23 hours a day and he was a pretty chill baby and had never given any indication that he was in pain or even discomfort, even as he was black and blue through his belly.  

    For the record, I had said "What else could happen?" while listing the crazy stuff that had happened in 2020 days before this event and I am kicking myself for thinking the worst was over. 

    AGAIN WITH THE HINDSIGHT, "retroperitoneal hematoma" and "non-accidental trauma" is all over Ernie's chart from that hospital.  98% or so of retroperitoneal hemotomas are from non-accidental traumas. Medicine being what it is, I UNDERSTAND WITH MY LOGICAL MIND that a Thing IS usually what it looks like.  You got a clean cut on your finger? It's because you have bad knife skills in the kitchen, not because someone came after you with a throwing star and you tried to catch it.  

    You have to prove that obvious hypothesis, right?  And LEGALLY, those docs have to follow a procedure to prove that obvious hypothesis because MALPRACTICE and LAWSUITS and JOBS.  I UNDERSTAND THAT WITH MY LOGICAL MIND. I also do not envy the workers from Child Protective Services.  They are either visiting people who need their help or people who don't and either way, all those people are going to be pissed, scared, and defensive.  

    And I was all of those things.  I questioned whether I had buckled Ernie too tightly into his car seat for too long, whether one of his siblings had dropped a book on his back while he was taking a nap because I had found a book in his crib a couple days earlier, why I hadn't noticed his belly earlier, why hadn't I panicked at his every cry, whether my other kids would throw me under the bus with CPS because let's face it I yell a lot and I've definitely spanked a few of them, and now all the doctors and nurses think I'm a terrible parent and I was pretty sure I was going to throw up walking through the PICU after that phone call.

    Our favorite nurse and PICU doc insisted it was all just protocol and they didn't think we abused our kid, buuuuuut they also didn't know what was wrong with him.  

    In one fuzzy morning consultation, a very lovely hematologist woke me from a nappish state and told me Ernie's platelet level was really low and that's indicative of a thing called "KHE" and I made him explain it to me like I was 5.  But that was in between neurosurgery, radiology, ophthalmology, and nephrology consultations, MRIs, CAT scans, ultrasounds, and all the imaging and it got lost in the shuffle.  But I remember him and he was a fuzzy angel who reminded me of my awesome uncle. 

    THEN, after asking several times if his condition had anything to do with his "birthmark" (you didn't think I foreshadowed that for nothing, did you?!), I asked the PICU doc again, and as they'd had nearly every specialist I've heard of (and not heard of) in to test their trauma theory and nothing was adding up, he asked, "Did you ever have it looked at?"

    And I said, "Yes." 

    When Ernie was 10 days old, he had a tele-visit (COVID procedures and all) with a dermatologist at the U whose name was "very Irish" (which was all I could remember after four days of little sleep and more than a few emotions).

    So the doc gets on the computer, finds the doctor, calls her up, sends her a couple MRI images (with my permission, duh), and she says, "I think I know what it is, and we have a whole team that deals with it over here." 

    Within an hour, Ernie and I are transferred over to the University of Minnesota Masonic Children's Hospital where we have a very cohesive team of specialists: hemonc (hematology/oncology and obviously the coolest abbreviated name), dermatology, nephrology, general surgery, and interventional radiology.

    [When I told the kids about all the teams we met with, the oldest scoffed when I mentioned General Surgery.  I paused and asked, "Are you wondering if there's a Lieutenant Surgery?" and she said, "Yes" and we laughed.  See? Medicine is funny!]

    DID I MENTION EVERYONE'S LOVE LANGUAGE IS FOOD AND I STILL HAVEN'T COOKED SINCE AUGUST YET? Thank you if you ever thought a nice thought to send our way or did anything even further than that.  And since someone asked recently, but I still feel weird about it, here's the fundraising page my wonderful sister-in-law set up for us.

    And while there was a couple moments that I questioned our transfer (man, I loved those nurses at the other hospital and post-sedation at the new hospital was very… Matrix-like), this gang of doctors (I vacillate between calling them the Avengers or the mafia because there were always many of them, it being a teaching hospital and whatnot) seemed to think his "birthmark" and his bleeding/low platelets were related.  Which obviously made more sense to me than trauma.

    But there were still tests.  And scary moments, days, ah hell, weeks.  Intubations and NPO orders.  Jargon and asking what all the jargon meant.  Oh man, I asked so many questions. Times when I made Gordon ask the questions that I couldn't (like, "Is he dying?" which Gordon asked of my favorite favorite doctor and that doc gave a great, "No," with more reassuring words than just "no").

    There weren't a lot of answers for a long time, which seemed weird to me, because SCIENCE. MEDICINE. MY KID. 

    And then there was a "working diagnosis", which I take to mean "pretty good guess".  That diagnosis still sucks, and sounds bad, and don't Google it (good God, please don't Google any medical things), but he has KHE with KMP.

    Kaposiform hemangioendothelioma with Kasabach-Merritt Phenomenon.  

    Don't worry, I'll translate it for you: it's a rare, aggressive vascular tumor(s) with extremely low platelet count (those things that make your blood clot when you're bleeding).  

    The retroperitoneal hematoma was from one of his tumors bursting or leaking and since he had such a low platelet count, it couldn't clot.  It might have started months prior to our ER visit, but there was no way for anyone to tell something was wrong because he didn't have any clinical signs of distress.

    Which all sucks.  

    But doctors and nurses and medicine are awesome.

    The problem, I found out recently, is that Ernie was "too okay".  He looked and acted like a "normal" baby: he wasn't/isn't sickly, crabby, uncomfortable; he didn't have any other clinical symptoms besides high blood pressure, this crazy hematoma, and a "birthmark" (which really looked and felt more like a birthmark than a vascular lesion).  

    While the Hemonc docs had suggested KHE early on, it was still a very atypical case.  Most kids don't get it in two places (Ernie has a very decent sized tumor in his abdomen, along with on his leg), it is isn't "spindly" like Ernie's (his wraps around several organs, including the islets of langerhans which is not a Tolkien reference but an actual part of one's pancreas) and his isn't concentrated in one place as most cases are, and it hurts (and his seems not to). JUST THINK OF THE SYMBIOTE VENOM AND YOU'VE GOT IT.

    Apparently Ernie is less than 1% of kids (especially babies) who takes their medicine orally (so says our most regular nurse, who can name on one hand BY ACTUAL NAME [not that she did, because HIPAA and all] kids who have taken oral medication under her watch), but he'll be on this particular treatment for 4-5 years at which point the tumors should have "shriveled up" (as our trusty General Surgeon put in) and he won't have any side effects.

    Until then, we visit the clinics about once a week for consultations, checkups, dressing changes (he has a central line put in to make his blood draws easy; it still freaks me out but he doesn't seem to notice it), lab draws, and tests.  Our next big update will be at the end of October when he gets an MRI and the docs can see if his treatment is affecting his tumors.

    DID I MENTION I GET STRESS-INDUCED ASTHMA? Aaaaand we're still looking for a studio.  

    Cheers, 2020.  You're putting up a good fight.  

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  • To celebrate nine years of the blog, here's some fun facts and greatest hits for you:

    • after over 750 posts, half a million views, and quite a few guest stints, you'd think I'd have run out of things to say, BUT I HAVE NOT.
    • this blog is older than five of my children.
    • the longest gap from one post to the next was five months and fifteen days.  At the beginning, I WAS BLOGGING DAILY. 
    • an estimated 25% of the total posts were written one-handed, while holding a baby in the other arm.
    • what started as an extension of my Facebook profile in response to people asking me details about my food and craft projects quickly turned into a mostly-ballroom blog when I quit teaching to be a stay-at-home, professionally-dancing mom [we say how that turned out] and had been secretly compiling all the questions people asked me outlying questions about ballrooming. 
    • there has always been a hot guy at the end of each post.  That started as an homage to my 13-year-old, journaling-self that delegated quite a few pages to magazine cutouts and what would now be called fan-fic about my favorite celebrities at the time. TRADITION!
    • The top five posts of all time are:
    1. Things You Can Control at a Ballroom Dance Competition
    2. The Learning Curve with Crappy Graphs
    3. Why: Tanning for Ballroom Dance Competitions
    4. 18 Signs You're a Ballroom Dancer
    5. Between Bronze and Open
    • And two personal favorites:
    1. Men's Furnishing – a flow chart
    2. Dancing Badly – my first flow chart

    Hope you all are staying safe and sane.  See you soon?

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  • In between applying for grants and loans and waiting for responses [… crickets… crickets…], I’ve been doing some reading and research about how to improve my business… when I’m not in business. 

    Clearly, there’s motivation to do something.  ANYTHING.  Sadly, the biggest motivator is obviously money (which is definitely NOT why I chose to be a dance instructor in the first place, BTW), so I can pay the bills at my business and home.  Secondly, I want to have a client base that will be clamoring to return when we can open our doors, so I’d like to provide a service when our doors are closed to remind people we, you know, EXIST.  Thirdly, I WANT TO HELP MY PEOPLE.  Employees, students, hell, myself.  We all came to the ballroom looking for something that was missing in our lives and apparently we found it because we stuck around.  Whatever that thing is, I feel like it’s important to acknowledge and try to provide that thing.  [More opinions on that here.]

    But obviously, partner dancing, and particularly ballroom dancing*, is a victim of social distancing and will be for some time.  As many instructors and studios are turning to online content and virtual lessons to fill the void, I just… can’t.

    *  [Why particularly ballroom?  Well, while there are moments of unconnectedness in the main competitive dances, there aren’t a lot of “shines” (AND OMG IF YOU’RE DOING BRONZE, DO NOT LET GO OF THAT PARTNER!) for solo dancing.  Most of the foundational movement is concerned with one’s own posture, frame, and how that connects to another person in a way that communicates movement.  Of course, there are many exercises and drills one can do on their own to improve these areas, but the main deal is partner dancing is… wait for it… partnering.]

    In many of the business seminars I’ve read/watched, the advice is along the lines finding answers for certain questions.

    Seminar: What got you into the business that you’re passionate about?

    Me : Oo, oo!  I know this one!  Sharing the joy of ballroom dance via music! people! touch! physical activity!

    Seminar: What CAN you do online? 

    Me : Well, virtual lectures/seminars, live Q&As/lessons, and JUST BECAUSE I CAN, DOESN’T MEAN I SHOULD!

    It’s been fairly well researched that focus is hard to come by when you’re engaged in online learning.  Whether it’s your own face on the monitor/screen being distractingly beautiful, or your brain trying to get the correct signals from the other person or people that you’re interacting with, the amount of actual engagement in online learning is significantly lower than with in-person learning.  (Can I tell you to stop checking FB in my online seminar?  No.  Can you walk away and get a drink?  Yes. Can you have 17 tabs open at the same time and notifications ringing non-stop? Yes.)

    Two-dimensional instruction (in ye olden days from books and now from videos) causes a problem for in-person lessons down the road.  Most instructors have come across people (usually couples) that have “learned” to dance off videos they kind of sort of know where to put their feet when and, if they have a partner, that partner can do the coordinating pattern, but together they have zero-to-bad connection.  If they don’t have a partner, GOD HELP US, because of their guessing and imagining of joints that don't exist.  In the beginner realm, one is mostly better off learning in person.

    Trying to take care of “my people” is what I probably feel the worst about.  But I also want to do justice to “my people” by giving them a quality product that’s on par with what they would receive in the studio.  BUT my people are looking for social interaction and face-to-face, in-contact training on not only how to be a great dancer, but often on how to be a better person (introverts, unite!).  For better or for worse, I don’t believe that’s going to happen via a teleconference.  The amount of reeeeeeal interaction and correction that can happen via virtual learning is minimal and not of the substance I’d like to focus on, generally speaking [because it’s often about how one “looks” doing a thing and not how it feels or is produced and let's face it, I've trained for twenty years in how to get people how to do it when I'm standing next to them]. 

    Importantly, (I’ve made this point on some platform and I'll make it again) there are MULTIPLE TIME WORLD CHAMPIONS giving lectures and classes for free… with actual video production companies supplying them with equipment, back drops, and platforms to transmit their info.  These amazing teachers, even without the professional staging, have beautiful houses in exotic locations with, like, large spaces and plain old walls to video in front of.  And then there’s me, with a fixer-upper house, not a solid 3’ or more of wall ANYWHERE, a crowd control problem, able to provide sort of the same information (but NOT) with spotty WiFi, and a relatively old iPhone camera. Who needs me when you can get Katusha for free? 

    THIS IS NOT TO SAY if you are taking or giving lessons online that you are a nincompoop.  Like I said, there is some AWESOME content being created that’s available FOR FREE or for a good price right now.  And if you find learning in your living room a tolerable and enjoyable thing to do, PLEASE HAVE AT IT.  But on my side, I don't wanna and I can't wait to good-naturedly whack you on the shoulder when you finally do that thing I've been asking you to do all hour IN PERSON.

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